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I don't remember where I first heard about Frances
de Pontes Peebles' novel
The Seamstress, but apparently I added it to my
TBR pile on
GoodReads back in February of last year. So when
The Book Club Girl mentioned a giveaway and a chance to participate in a On Air show for this book, I jumped on the chance.
Due to a change in my work schedule I was unable to participate in the show but I absolutely devoured this book. It has to be one of my favorite reads this year. This is totally my type of book. I read a few review blurbs on the first few pages of the book. One mentioned the similarity to Isabel Allende (whom I love) while another compared
scenes to a Quentin Tarantino flick.
Ok, that's just cool.
Here's the plot:
1920's Brazil - remote mountainous region: Two sisters,
Emília and
Luzia dos Santos,
parent-less, have just moved in to live with their seamstress aunt. The aunt teaches them the ways of the trade. Emilia and
Luzia are as different as day and night. Beautiful
Emília dreams of leaving the small
provincial town, reads the fashion/beauty magazine, and designs her own clothing (often to the ridicule of the town's residents. Tall,
independent Luzia, with a damaged arm from a childhood accident, has never let it stop her from becoming a confident seamstress. She too has dreams even though she knows her damaged arm prevents her from becoming a viable
marriageable interest.
The two sister's paths
separate though when a group of
cangaceiros (bandits), led by the infamous Hawk, converge on the town and take
Luzia with them.
Emília finds her escape through a hasty marriage to a wealthy doctor's son and moves to the city of Recife.
Luzia becomes a well-known
cangaceiro nicknamed The Seamstress and
Emília becomes a wealthy socialite. However, girlhood dreams are never the same in reality.
Emília has to hid her past and association with
Luzia and must deal with high society prejudices and a distant husband with a secret.
Luzia finds that every day life as a
cangaceiro is not as thrilling as one might think. Communication between the sisters is non-existent and the two rely on clipping newspaper stories to keep in touch.
The novel alternates between each sister's viewpoint. At the beginning I loved
Luzia's voice and was always impatient to get through
Emília's side to get back to
Luzia. I just related more to
Luzia over
Emília's fashionable frippery. But as the story progressed, I fell for
Emília's plight and just loved how she evolved. I have to say it did remind me of
Isabel Allende but Frances de Pontes Peebles has a voice all her own. It is just vivid and beautiful. Be aware that while the Hawk's group of
cangaceiro's often seem like Brazil's Robin Hood or Zorro...there are
gruesome atrocities
committed as well.
I LOVED this book. I couldn't put it down. I loved Lu
zia. I love the scenes between
Luzia and the Hawk. And
Emília evolution from a selfish materialistic girl into the woman in Recife is just beautiful and often heart wrenching to read. Frances
de Pontes Peebles depicted the Brazilian landscape and scenes so well that I almost felt like I was watching it. I can still picture in my mind the newspaper clipping and photo depicting the elusive Hawk and Seamstress' band of
cangaceiros. The history of the Brazilian land and people is
fascinating and I loved finding a book that depicted this unfamiliar time period.
I also stumbled across Frances
de Pontes Peebles blog
The Art of Waiting and I am addicted. You should check it out. There's an section at the end of the paperback copy that I have which has an interview with Frances regarding her research and travels while writing
The Seamstress. She
actually went into the remote regions and talked with people in the very places she was writing about. No wonder the imagery is so vivid! And Frances' own ancestral history also takes a part in this story. I want her to write a whole other book/memoir depicting her adventures in writing and researching this book.
Here's an alternate cover. I can't tell which one I like best...they are both beautiful:
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And I'm a sucker for stories about sisters because I too have a great sister. So I thought I'd include an old photo of us dressed up as cangaceiros. I think I was twelve or so at the time and it was taken at the lovely
Casa Bonita in Denver (if you've never been...go!...and take your kids if you have any).
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Also Reviewed by:
Book Club GirlBooking MamaDevourer of Books